It has been quite some time since the public saw or heard from the acclaimed actor Daniel Day-Lewis. Following his announcement in 2017 that he would no longer work as an actor, just before the release of The Phantom Thread, Day-Lewis withdrew from the spotlight. However, in his absence, his legend has only grown.
The Legend of His Method
Primarily, this legend revolves around his preferred style of working. As someone known for immerses himself in his characters – for instance, while filming Lincoln, he had Steven Spielberg call him “Mr. President” for the entire production – the world has grown increasingly obsessed with his process. Did he actually sent messages to co-star Sally Field as Abraham Lincoln? Was it accurate that he only eat game he hunted for Last of the Mohicans? And did he insist on being spoon-fed while filming My Left Foot?
Extreme acting methods: have we fallen out of love with over-the-top performances?
Currently, Daniel Day-Lewis is back in the limelight, with some hesitation, for his new film Anemone. He is taking this chance to vocalise his frustration at how the Method technique is viewed. “I am somewhat annoyed nowadays when I hear all kinds of people talking carelessly and using phrases like ‘fully embraced the Method’, which seems suggests that someone is acting insane in a drastic way,” he stated to a major publication. “Everyone often concentrate on superficial aspects of acting, and these elements always seem to involve some form of self-flagellation or an experience that imposes upon oneself extreme unease or psychological strain. But of course, in the life of an actor, it must mainly focus on the internal work.”
A World of Imitators
Frankly, this sounds as if the actor has emerged from his retreat and found himself shocked by the acting community that has been created mirroring his methods. If you’re regarded as among the best performers to ever work, and your process involves striking a prop until you break your nose (in Gangs of New York) or enduring two days in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that other actors will want to emulate that example by trying to mimic their idol.
Essentially, we now live in an environment full of half-cocked Day-Lewis impersonators who strive only to show the world the sheer amount of dedication they put into a character. At the shallow end of this trend there are performers such as Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she dedicated the entire promotion trying to convince everyone that she became an Italian native over 18 months as preparation.
Additionally, there is Jared Leto, who chose to immerse himself in the character as the Joker (in Suicide Squad) through sending “horrifying” presents to fellow cast members. These, according to various accounts, range from deceased animals to intimate objects and used condoms, although Leto denied the most extreme claims. Then, naturally, there is Jim Carrey, who immersed himself so fully into Andy Kaufman during Man on the Moon that filmmakers literally managed to get a full-length documentary from behind-the-scenes footage of him causing difficulties to the utmost for his colleagues.
The Modern Followers of the Method
The foremost practitioner of the Method currently seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process while filming Succession was so rigorously detailed that it became the basis of a critical magazine feature, including statements from people who were either concerned for his behaviour (“The toll on himself concerns me,” said co-star Brian Cox) or annoyed beyond all measure by it (“I recall him causing others roll their eyes,” said an unnamed co-star).
The actor says he ‘never intended to retire, really’
There are numerous additional cases. Andrew Garfield went celibate for six months while preparing for Silence. Leonardo DiCaprio rested inside a dead animal for The Revenant. It’s quite possible that Austin Butler still speaks in the style of Elvis, years following that film came out. Each of these instances, in part, aims to evoke the dedication with which Day-Lewis takes his craft.
An Admirable But Uphill Battle
Moreover, although his rebuttal against method detractors could be commendable, a short publicity tour may prove insufficient to change anyone’s mind, let alone their practices. Perhaps if he wishes to remind people the true essence of the Method, or to demonstrate its potential results, then the optimal strategy for Day-Lewis is to simply start making additional movies. Certainly we could all support that idea.